Glenn Stallcop Composer, Performer
To listen, select a composition title.
THE UNREAL DWELLING (2020) for unaccompanied violin, 5 mins.
Commissioned by Steven Moeckel
RESTLESS IN LOOPS (2020) for solo cello and looper, 6 mins.
For Sarah Walder
RESTLESS IN PLACE (2020) for unaccompanied cello, 5 mins.
For Sarah Walder
THE WEAVING PRINCESS AND THE COWHERD (2020) (a child’s tale) for solo double bass with narration, 7 mins.
1. Weaving Princess (1′)
2. Lonely Princess (1′)
3. Star Dance (1′)
4. Star Wedding (1′)
5. Tentei’s Anger (1′)
6. Festival of Love (1′)
CROSS CHANNEL (2018) for unaccompanied cello, 8 mins.
For Sarah Walder
TWO TUNES 2018 for violin and piano, 8 mins.
1. Eagle’s Nest (4′)
2. Pirouette (5′)
GROUNDHOG DAY (2013) for cello and improvised accompaniment, 8 mins.
For Jan Simiz
MIRROR GLOBE (2012) for cello and improvised accompaniment, 9 mins.
For Jan Simiz
SUITE FROM JESSICA (1972, arr. 2007) for violin and piano, 26 mins.
1. Jessica (4′)
2. Doll Fantasy (4′)
3. Squire’s Song (4′)
4. There Are Spells in the Forest (5′)
5. Child of the Greenwood (4′)
6. Appearance of the King (6′)
UNANSWERED PRAYERS (2005) for unaccompanied double bass, 14 mins.
For John Ebinger
Prayer for Identity
Prayer for Harmony
Prayer for Simplicity
Prayer for Peace
Prayer for Action
MEDITATION AT OYSTER RIVER (2003) A Cantata on a poem by Theodore Roethke for soprano and orchestra (or piano), 2(2nd dbl.pic)-2(e.hn.)-2(2nd dbl. bd.)-2(2nd dbl. cbn.), 2-2-1-0, 1 pc., tim., pf., solo sop., hp., & stgs, 22 mins.
For Eleanor Stallcop-Horrox
1. The Ripple (7′)
2. With These I Would Be (7′)
3. The First Trembling (6′)
4. The Motion of Morning (6′)
VISION QUEST (2002) for double bass and piano, 17 mins.
Winner of 2004 International Society of Bassists Composition Competition for works for solo double bass
1. Ritual Incantation (6′)
2. Night of Despair (6′)
3. Ritual Dance and Visitation (8′)
VIOLIN SONATA NO. 3 (1999) for violin and piano, 20 mins.
FANTASY (1992) for unaccompanied violin, 11 mins
SONATA (1991) for cello and piano., 12 mins.
1. Allegro cantabile (4′)
2. Andante mesto (5′)
3. Molto vivace (3′)
MUSIC FOR VIOLIN AND PIANO (SONATA NO. 2) (1988) for violin and piano, 20 mins.
For Ronald Whaley
1. Allemande (5′)
2. Sarabande (6′)
3. Waltz (6′)
4. Country Dance (5′)
INCIDENTAL MUSIC (1986) for double bass and piano, 21 mins.
1. Round (4′)
2. Dance No. 1 (3′)
3. Song (4′)
4. Dance No, 2 (3′)
5. Finale (9′)
ROUND FIVE (1986) for double bass and piano, 5 mins.
THREE PIECES (1984) for solo double bass, 12 mins.
1. Song (6′)
2. Six Miniatures (6′)
3. Dance (6′)
SHORT SET (1982) for flute and piano, 19 mins.
For Marjorie-Yates Lockwood
1. Calling Home (6′)
2. Summer Rain (8′)
3. Gettin’ Fat (5′)
SONATA (1982) for viola and piano, 18 mins.
For Paul Ehrlich
1. Song of the River (8′)
2. Round of the Hawk (6′)
3. Dance of the Earth (6′)
SCENES AND SOLILOQUIES (1982) for double bass and harp, 21 mins.
For Cindy Baker
1. Lament (6′)
2. Variation (7′)
3. Cadenza (5′)
4. Reprise (4′)
INVOCATION (1982) for piano and percussion., 13 mins.
For William Wanser
SONATA – IMAGES FROM ‘THE FAR FIELD’ (Roethke) (1981) for violin and piano, 36 mins.
For Lenore Lehr (Wilkison)
1. Journey Dream (14′)
2. To Come Upon Warblers in Early Spring (10′)
3. Cadenza (13′)
INTERMEZZO (1981) for double bass and piano, 10 mins.
INTERLUDE (1981) for double bass and harp, 10 mins.
CONCERTO FOR DOUBLE BASS (1977) for solo double bass and string orchestra (or piano), 26 mins.
For James Beidel and the Seattle Pro Musica Chamber Orchestra
1. Traveling Tune (11′)
2. Ballad (8′)
3. Dance Tune (7′)
RAIN, RAIN (1973) 5 songs for soprano and piano on poetry of Leslie Green (Stallcop) and Scott Wilson, 17 mins.
For Eleanor Stallcop (-Horrox)
1. Doll Fantasy (4′)
2. The Visitor (4′)
3. Mimi (2′)
4. Thirty-two and In His Prime (3′)
5. Limits (6′)
PENDULUM (1972) for solo double bass and orchestra (or piano), 3(3rd dbl. pic.)-3-3(bcl.)-3, 4-3-3-0, 3 pc., solo db., hp., & stgs., 10 mins.