Piano Trio is available here from American Composers Alliance.
Piano Trio was written in the fall of 1991, and is somewhat of a transitional work. I had returned to school to pursue my Masters, and was trying some new ideas. I had felt my music was too predictable and needed some creative spice. This piece was an attempt to stretch what I had been doing in a new direction.
The first movement is a rather symmetrical presentation of material with an alternately warm and cold feel; sometimes austere, sometimes luxurious, sometimes intense, sometimes wistful. It features one of the most intense climaxes of any piece I have written, but it immediately releases to an almost music-box-like piano solo.
The second movement is a spirited contrapuntal dance. It follows a sonata-like plan with not much of a recapitulation and a large development and coda section. Both movements are loosely based on material drawn from tetrachords.
Though I was trying out some different ideas, I am still primarily taking a pure musical approach and not bringing extra-musical concepts into my music on purpose. Though the material suggests different things to me, it primarily shows a composer who is trying to deal with some unrest.
Piano Trio was first performed at Arizona State University (Tempe, AZ) in April 1992, with Borovoj Martinic-Jercic violin, Richard Bock, cello, and Walter Cosand, piano.